Ninjas and Knights

Just wanted to drop a quick post and let you know that I'm on Ninja Mountain this week. For those who are unfamiliar, Ninja Mountain Scrolls is a weekly podcast for artists by artists, especially those working in the fields of science fiction and fantasy.

This week's podcast is nearly two hours long, covering IlluxCon. It's a great listen for any artist. Here it is.

http://mchughstudios.com/episode_41a.mp3

And because I don't like posting without putting some art up, here's some silhouette studies I did a while back.

These studies are based around an old school character from Games Workshop's Warhammer Chaos Army (really old school).

Takhisis and Paladine

It's done...for now.

This painting depicts two characters from the Dragonlance novels, Takhisis, the goddess of evil (she's the big 5 headed dragon) and her brother, Paladine, the god of justice, taking the guise of a wizard. I just love the contrasting approaches to godhood that these two beings take in the novels: Takhisis always appears in a mighty and overwhelming form, demanding all to worship her, while Paladine takes an almost Christlike approach, shedding his godly form for an Alzheimer's-inflicted wizard leading many to underestimate him.

By the way, I just got back from IlluxCon 3 days ago. I got swamped immediately with work, so sorry about the delay in posting. By the way, as far as conventions go, IlluxCon is probably one of the best for artists in our genre. It's small and focused exclusively on the art, and allows artists to learn a lot, be exposed to a lot of art, and not be overwhelmed at the same time. I highly recommend it.

Andrew

Last night at my portrait painting class, our model was a no-show. So while we waited for her replacement, our instructor, Andrew Lattimore stepped in to pose. Here's a 10-ish minute sketch I did with a Japanese brush pen.

I've been trying to explore inks a lot more after reading David Apatoff's article, 'Ink and Commitment'.

Bringing Nerdy Back

Don't even think for a moment that I've gone all plein air!!!

Here's my work in progress. I'm really thinking about doing the final in oils. Hopefully, it'll be done in time for IlluxCon...Oh and a prize for you if you can tell me the name of the wizard in the painting.

Plein Air Part 2

Here are some more plein airs. The coming fall is starting to add a bit of variety. More to come!!!!

Hurakan Silhouettes

I've been doing some more silhouettes for the ArtOrder Hurakan challenge (which I am officially way behind on...sigh....). Amazing what you can get done while riding New York City's subways on a Friday night.

Plein Air Part 1

Here are two plein air paintings I've done in the past few weeks. I worked a lot in oil painting while I was in art school, but plein aire is new for me. Much like oil painting in the studio, except you have to lug everything with you, the Earth has to do this annoying thing known as ROTATING, which wreaks havoc on your lighting and you get eaten alive by mosquitoes. The plus side is you really get out of the house and truly get to appreciate God's green Earth.


This first painting is a view of the Hudson River from the Montgomery Place Estate near Barrytown in Upstate New York.


This photo illustrates very clearly why it's a good idea to paint on site versus painting from a photo. Note how drained the color is in the photo. Also, while the foliage is defined, the sky is a complete white wash. The camera could not catch the true color or the subtle value changes my eyes were able to see.


This is my backyard. You can see my mom's hydrangeas and Godzilla sized rose bushes.

PS: FYI, plein air is short for 'en plein air', French for 'in the open air'. Plein air painting has been around since the dawn of painting, but the invention of tubed oil paints and French box easels in the 1870s truly helped it to take off.